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Articles in Periodicals
BONFATTI, Adriana et al. Circulando Theater Workshop - Experience and trajectory of a Theater Workshop for young people with mental disorders at the UNIRIO Theater School. ROOTS AND COURSES. , v.5, p.185 - 195, 2017.
http://www.seer.unirio.br/index.php/raizeserumos/article/view/7439GOMES, Carolina.; TAVARES, Joana. Training and the negative way at Studio Stanislavski. Cena Magazine. , v.01, p.50 - 59, 2017.
https://seer.ufrgs.br/cena/article/view/69790
KEISERMAN, Nara. A foreign look seven years later, on the creative process of Companhia Chapitô, Teatro Meridional and Visões Úteis. Scene Signs. Theater Studies and Performing Arts Magazine. Lisbon: Orfeu Negro and Theater Studies Centre, University of Lisbon. Series II, n.3, May 2018, p. 194-209.
KEISERMAN, Nara. “The body is a vehicle of consciousness” or that's my faith. Post. Journal of the Graduate Program in Arts at the School of Fine Arts at UFMG v.8, n.15: mai. 2018, p. 274-287.
https://www.eba.ufmg.br/revistapos/index.php/pos/article/view/658KEISERMAN, Nara. There is light here, confessions. Warp, v.2, n.25, p.100–108, December 2015.
http:/dx.doi.org/10.5965/1414573102252015100
KEISERMAN, Nara. Dialogues about narration - It's nostalgia for the fire, I'm sure. Brazilian Journal of Presence Studies, vol. 2, p. 265-285, 2012.
https://seer.ufrgs.br/presenca/article/view/24581
MAGALHÃES, MF New senses for the body: body painting for primitives and contemporaries. Artefactum (Rio de Janeiro). , v.1, p.26 - , 2014.
http://artefactum.rafrom.com.br/index.php/artefactum/article/view/332
MAGALHÃES, MF THE CAPTAIN AND THE MERMAID: ROUTES AND DIRECTIONS. The Theater Transcends (Online). , v.1, p.03 - 16, 2012.
http://proxy.furb.br/ojs/index.php/oteatrotranscende/article/view/2917/2020TAVARES, Joana. Conversation about Dance - Interview with Marília Pêra. THE BEDBUG ONLINE. , v.7, p.101-119 - 119, 2015.
http://www.seer.unirio.br/index.php/opercevejoonline/article/view/5642/5100TAVARES, Joana. Talk about the Theater. Interview with Fauzi Arap. The Bedbug Online. , v.7, p.166 - 190, 2015.
http://www.seer.unirio.br/index.php/opercevejoonline/article/view/5693
TAVARES, Joana Ribeiro da Silva. Retracing steps in dance: Angel Vianna and Anna Halprin. Leaks. , v.2, p.47 - 56, 2018.
http://www.periodicos.ufc.br/vazantes/article/view/40289
TAVARES, Joana Ribeiro da Silva. Interview with José Wilker. The Bedbug Online. , v.6, p.208 - 233, 2014.
http://www.seer.unirio.br/index.php/opercevejoonline/article/view/4875
TAVARES, Joana Ribeiro da Silva; Marito Olsson-Forsberg. Themes, strategies, materials and flavors - accounts of a dance workshop. Rhythm. France, p.1 - 9, 2015.
https://www.ritimo.org/Temas-estrategias-mateiais-e-sabores-relatos-de-uma-oficina-de-dancaTAVARES, Joana Ribeiro da Silva; MAGALHÃES, Marina. Review of the book “Grupo Teatro do Movimento: an expressive gesture by Klauss and Angel Vianna in Brazilian dance”. Artes de Educar Interinstitutional Journal, V. 6, nº 1, p. 422-433, 2020.
https://www.e-publicacoes.uerj.br/index.php/riae/article/view/46055TAVARES, Joana; ACHCAR, Ana; BONFATTI, Adriana; MORAES, Marcia; WILTGEN, Anna; MAIA, Dada; MAIA, Adriana. A journey with rasaboxes -Interview with Michele Minnick. LISTENED TO (ONLINE). , v.14, p.234 - 246, 2018.
http://www.seer.ufu.br/index.php/ouvirouver/article/view/39876
Translations
LASSIBILLE, MAHALIA. Writing “the dance” in anthropology: the violence of research at the tip of the pen. Art Research Journal, v.03, p.27 - 43, 2016.
https://periodicos.ufrn.br/artresearchjournal/article/view/10919
ROQUET, Christine. Analysis of movement and analysis of choreographic works. The scenic body between dance and theater. São Paulo: Annablume, 2013.
ROQUET, Christine. Reading the gesture, a tool for research in dance. Porto Alegre: CENA UFRGS Journal, 2017.
https://seer.ufrgs.br/cena/article/view/73754/0
Book Chapters
CASTILHO de OLIVEIRA, Jacyan; LEAL, Mara; KEISERMAN, Nara. Disassembly: reflections on the open sharing of solo performances. DIÉGUES, Ileana; LOYAL, Mara (org). Disassembly – research and creation processes in the performing arts. Rio de Janeiro: 7 letters, 2018, p. 139-156.
CASTILLE; Jacyan, LEAL, Mara; KEISERMAN, Nara. Disassembly – the open sharing of solo performances. BACK, Ana Maria; ALVARENGA, Arnaldo and others (Org). ABRACE - Art, body and research on the scene: expanded experience. Abrace/O Lutador: Belo Horizonte, 2015, p. 85-94.
KEISERMAN, Nara. How beautiful it was there! FIGUEIREDO, Fábio Camargo. Forever our Caio F - self-writing and self-fiction. Uberlândia - MG: The Sex of the Word - Editorial Projects. for. 174-197
KEISERMAN, Nara; SOARES, Michele; BITTER, Sigrid. Revelations of a walk by those who walk. TELLES Narcissus; MERÍSIO, Paulo (orgs). Get oriented - shared paths in the construction of theses in performing arts. Rio de Janeiro: 7 Letters. for. 95-110
KEISERMAN, Nara. Actor Narrator - entry. In: KOUDELA, Ingrid Dormien; ALMEIDA JÚNIOR, José Simões de. (Org.). Theatrical pedagogy lexicon. 1st ed. São Paulo: Perspectiva, 2014, v. 1, p. 21-22.
KEISERMAN, Nara. Actor Composer – entry. In: KOUDELA, Ingrid Dormien; ALMEIDA JÚNIOR, José Simões de. (Org.). Theatrical pedagogy lexicon. 1st ed. São Paulo: Perspectiva, 2014, v. 1, p. 19-21.
KEISERMAN, Nara. When you have been teaching for a long time. TAVARES, Joana; KEISERMAN, Nara. (Org.). The scenic body between dance and theater. 1st ed. São Paulo: Annablumme, 2013, v. 1, p. 145-162.
KEISERMAN, Nara. All work is corporal. TEJADA DA SILVEIRA, Fabiane; FERREIRA, Thais; MILK BOILER, Vanessa. (Org.). Conversations about theater and education. 1st ed. Porto Alegre: Graphic Observatory, 2013, v. 1, p. 77-96.
NAVAS, Cassia; TAVARES, Joana. Body, art and research in Klauss Vianna, between-places of dance and theater. BACK, Ana Maria; ALVARENGA, Arnaldo et al (Org). ABRACE - Art, body and research on the scene: expanded experience. Abrace/O Lutador: Belo Horizonte, 2015, p.141-148.
TAVARES, Joana; KEISERMAN, Nara; MAGALHÃES, MF Body as a discursive figure: movements and wrappings In: The scenic body: between dance and theatre.1 ed.São Paulo : Annablume, 2013, v.1, p. 21-31.
TAVARES, Joana Ribeiro da Silva. From maître to danser to maître de mouvement – What to propose to the actor's body? The scenic body: between dance and theater. 1 ed.São Paulo : Annablume, 2013, v.1, p. 55-68.
TAVARES, Joana; KEISERMAN, Nara; RAMOS, Enamar; RUIZ, Giselle; TEIXEIRA, Letícia. Theater of the Movement Group (1975-1980). The scenic body: between dance and theater. 1st ed. São Paulo: Annablume, 2013, v.1, p. 89-98.
book organizations
CARNEIRO, Ana and KEISERMAN, Nara (org) Experienced artistic creations and pedagogies. Jundiaí [SP]: Paco, 2018.
TAVARES, Joana Ribeiro da Silva; KEISERMAN, Nara. The scenic body between dance and theater. 1st ed. São Paulo: Annablumme, 2013.
Books
MAGALHÃES, Marina; TAVARES, Joana. Teatro do Movimento Group: an expressive gesture by Klauss and Angel Vianna in Brazilian dance. Rio de Janeiro: Gramma, 2019.
RAMOS , Enamar - ANGEL VIANNA : The Pedagogue of the Body. Rio de Janeiro: Summus, 2007.
ebooks
BONFATTI, Adriana; RAMOS, Enamar; TAVARES, Joana; MORNINGS, Juliana; KEISERMAN, Nara (ORG). Body Preparation, Movement Direction and Choreography in the Performing Arts. Rio de Janeiro: Multifoco, 2021. 269 p.; 2810Kb; PDF ISBN 978-65-994161-8-7
MAGALHÃES, Marina; TAVARES, Joana. Teatro do Movimento Group: an expressive gesture by Klauss and Angel Vianna in Brazilian dance. Rio de Janeiro: Gramma, 2019.
TAVARES, JOANA Ribeiro da Silva; ESCOBAR, Luar Maria. Klauss Vianna (1928-1992) and gesture as a dramaturgical dimension in Brazilian theater: from choreography to movement direction. In: Mickaël de Oliveira. (Org.). The presence of text in contemporary dance and theater. 1st ed. Lisbon: Theater Studies Center / FLUL, 2020, v. 1, p. 88-104.
https://www.ceteatro.pt/node/403?fbclid=IwAR3oLDQq4IOcq3gceBz98qoC34t1AmkKI1yM3ZarfeakWngx9iWu2sYP6Uc
Prefaces and other publications
CARNEIRO, Ana and KEISERMAN, Nara (org) Experienced artistic creations and pedagogies. Jundiaí [SP]: Paco, 2018.
KEISERMAN, Nara; LILY, Alba. The nature of the voice is water. Drafts Uberlândia, v.4 n.4, p.62-74, September 2017.
http://www.seer.ufu.br/index.php/rascunhos/article/view/39524
KEISERMAN, Nara; LILY, Alba. La nature de la voix est celle de l'eau. Drafts Uberlândia, v.4 n.4, p.137-149, September 2017.
http://www.seer.ufu.br/index.php/rascunhos/article/view/39525/20814
TAVARES, Joana Ribeiro da Silva. From the mountain to the sea - the incessant trajectory of an artist in love with movement. Article. São Paulo: Itaú Cultural - Occupation Angel Vianna, 2018.
https://issuu.com/itaucultural/docs/public_angel_vianna_issu
TAVARES, Joana Ribeiro da Silva; KEISERMAN, Nara. The scenic body between dance and theater. 1st ed. São Paulo: Annablumme, 2013.
TAVARES, Joana Ribeiro da Silva. The rasaboxes in the room. Cadernos Collection - Textbook on Rasaboxes. Rio de Janeiro: Actor's Nucleus - Theatrical Research and Documentation, 2016. v.4. p.0-5.
Congress proceedings
BONFATTI, Adriana Ferreira. Dynamic Themes of Movement Transformation According to the Laban/Bartenieff Movement Analysis System. Federal University of the State of Rio de Janeiro, IN: PPGAC Colloquium; XIX PPGAC Colloquium - Graduate Studies in Arts: Between Expectations and Realities; PPGAC Colloquium. Rio de Janeiro. 2019. http://ocs.unirio.br/index.php/coloquioppgac/xixcoloquioppgac/paper/view/602
BONFATTI, Adriana; TAVARES, Joana; ACHCAR, Ana. Rasaboxes at Play! IX Abrace Congress, 2018.
https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/3867KEISERMAN, Nara. Connections between actor's pedagogy and spiritual path. X ABRACE Congress - ABRACE 20 YEARS Celebrating Diversity. Natal-RN, 2019. http://www.publionline.iar.unicamp.br/index.php/abrace/article/view/3943/4021
KEISERMAN, Nara. Seeing from within, seeing from without. VII Mario Santana Internal Research Seminar - Unicamp, 2019 https://www.publionline.iar.unicamp.br/index.php/ppgadc/article/view/4242
KEISERMAN, Nara. Connections between actor's pedagogy and spiritual path. X ABRACE Congress, 2018, v.19 n.01.
https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/3943/4021KEISERMAN, Nara. For a spiritual theater. IX ABRACE Congress, 2016.
https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/1820/1938KEISERMAN, Nara. Actor's ki, first approach. VIII ABRACE Congress, 2014.
http://portalabrace.org/viiicongresso/resumos/processos/KEISERMAN%20Nara.pdfKEISERMAN, Nara. The actor's infinite body. VII ABRACE Congress, 2012.
http://www.portalabrace.org/viicongresso/completos/processos/Nara_Keiserman_-_O_corpo_infinito_do_ator.pdfMAGALHÃES, MF Guernica Bodypainting: between performance, integrated arts and urban intervention In: Contemporary Contemporary Scenic Reflections Symposium, 2018, Campinas. Proceedings Symposium Contemporary Scenic Reflections. Campinas: Unicamp, 2018.
http://https://www.cocen.unicamp.br/revistadigital/index.php/simposiorfc/article/download/604/478MAGALHÃES, MF Arara Brasileira: Process and Creation of BodypaintiIng for the front committee of the recreational guild Paraísp do Tuiuti samba school - Carnaval 2017 In: II Seminar on Scenic Design, 2017, Curitiba. II Seminar on Scenic Design: visual and sound elements of the scene. Curitiba: UTFPR, 2017. v.2. p.111 - 118
MAGALHÃES, MF Marine Motifs : Body Wraps at Capanema and Por ti Maria: Portinari Sobre Pele - Processes of Spatial interventions at Palácio Gustavo Capanema In: IX Congress ABRACEv-v Decolonial Poetics and Aesthetics - Performing Arts in expanded field., 2016, Uberlandia. Memória ABRACE XVI - Proceedings of the IX Congress of the Brazilian Association for Research and Graduate Studies in Performing Arts. Uberlandia: Embrace, 2017.
https//www.even3.com.br/anais/IXCongressoABRACE/32147MAGALHÃES, MF Creative processes and procedures for the production of body thicknesses In: XII ABRACE Congress, 2014, Belo Horizonte. Art, body and research on the scene: expanded experience. Belo Horizonte: 2014.
http://portalabrace.org/viiicongresso/resumos/processos/MAGALHAES,%20Mona.pdfMAGALHÃES, MF Records of the ephemeral: the body and the city. In: VII ABRACE Congress, 2012, Porto Alegre. Embrace Digital Memory. 2012. http://www.portalabrace.org/viicongresso/completos/processos/Monica%20MAGALHAES%20Mona_Registros_do_Efemero1.pdf
NAVAS, Cassia; TAVARES, Joana. Thematic table - Body, art and research in Klauss Vianna, between places of dance and theater In: VIII Congresso da ABRACE, 2014.
http://cassianavas.com.br/wp-content/uploads/2015/01/texto-completo-mesa-tematica-corpo-arte-e-pesquisa-em-klauss-vianna-de-joana-ribeiro-cassia- navas-congresso-embrace-2014.pdfTAVARES, Joana Ribeiro da Silva. The Analysis of Movement – some notions according to Hubert Godard. VII ABRACE Congress, 2012.
http://www.portalabrace.org/viicongresso/completos/pesquisadanca/Joana_Tavares_-_A_An__lise_do_Movimento_-_some_no____es_second_Hubert_Godard1.pdfTAVARES, Joana, FORSBERG, Marito O. The Formation of the Body Trainer in the Performing Arts - What can a trainer propose to the actor's body?. ANAIS - II National Seminar on Theater Research. 2012.
TAVARES, Joana Ribeiro da Silva. Circulando – A space for young people with mental disorders. VII Scientific Meeting of ABRACE, 2013.
http://www.portalabrace.org/viireuniao/pesquisadanca/TAVARES_Joana_Ribeiro_da_Silva.pdfTAVARES, Joana Ribeiro da Silva. Keep & Lepecki, Borralho & Galante, Eugénio and Fiadeiro: encounters with exponents of Portuguese contemporary dance. VIII ABRACE Congress, 2014.
https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/1980TAVARES, Joana Ribeiro da Silva. Why do we meet? Analysis of some actions of the Arts of the Movement Research Group. IV Grouping: Interculturality and Diasporas, 2013.
http://engrupe.cooperacdanca.org/index.php/engrupe/engrupen4/paper/view/105/10TAVARES, Joana Ribeiro da Silva; KEISERMAN, Nara; RIBEIRO, Mônica Medeiros; TOURINHO, Lígia Losada.Body preparation and movement direction: formation and artistic practice. X ABRACE Congress, 2018, v.19 n.01. https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/3947
TAVARES, Joana Ribeiro da Silva; KEISERMAN, Nara; RIBEIRO, Mônica Medeiros; TOURINHO, Lígia Losada. Movement Direction, Scenic Movement Consultancy and Body Preparation: body crafts. International Action and Presence Journey. VIII International Symposium on Contemporary Scenic Reflections, Unicamp, No. 4, 2019.
https://www.cocen.unicamp.br/revistadigital/index.php/simposiorfc/article/view/681
Oline Interviews and Lectures
KEISERMAN, Nara. The metaphor of Energy for the artist on stage: Dialogue with Nara Keiserman, Arts & Humanities Vol III Ed. n° 30 - Marina Braga Campos, December 2018.
TAVARES, Joana. International Colloquium The presence of text in contemporary dance and theater: from the center to the margin of the stage. Faculty of Arts, University of Lisbon, 2018. Communication: Klauss Vianna (1928-1992), from choreographer to director, between words and gestures.
TAVARES, Joana. Science and Letters - Klauss Vianna, August 19, 2013.
TAVARES, Joana. Testimonials about Angel Vianna. Angel Vianna Occupation, Itaú Cultural, 2018:
angel and actors
Angel Vianna College
the philosopher body
Ballet dancer
TAVARES, Joana. "Retrace Steps in Dance: Angel Vianna & Anna Halprin". Seminar Women Mobilizing Memory through Dance. "Looks" table. Mediation: Giselle Ruiz. Choreographic Center of the City of Rio de Janeiro, April 30, 2016.
https://www.youtube.com/watch?v=lEXXISguIOU